Interview

Music Feature: “Don’t Look Back” – Talking With Barry Tashian of The Remains

September 22, 2014
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“And the pot was very good. I don’t know if you want to print that or not.”

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Books Interview: Heather Cox Richardson on the History of the Republican Party — Going Full Circle

September 22, 2014
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In this book, Boston College historian Heather Cox Richardson explores the (d)evolution of the Republican Party from its founding in 1854 through the presidency of George W. Bush.

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Book Interview: David Albahari’s “Globetrotter” — The Postmodern Émigré Blues

September 18, 2014
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Serbian writer David Albahari’s fascination with uncertainty fuels a grim, sardonic tragi-comedy in which silence plays an elemental but enigmatic role.

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Book Interview: Leonard S. Marcus on Robert McCloskey and the Art of the Picture Book

September 13, 2014
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The centennial of the author of Make Way For Ducklings is being celebrated with a series of lectures by scholar Leonard S. Marcus.

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Theater Interview: Wordsmiths Strike Back — The Poets’ Theatre Redux

September 6, 2014
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We intend to stage work by all the living American poets we can lure into our sphere: starting right here in Cambridge.

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Music Feature: At the Lowell Folk Festival — “Da Butt” is no joke for EU

July 24, 2014
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Sugar Bear and his legendary go-go band are coming to the Lowell Folk Festival.

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Music Interview: “I Can’t Admit Defeat” — Wussy Carries On

July 23, 2014
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“Music is kind of like a religion in a way, and your heroes become your patron saints.”

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Rock Interview: Singer-Songwriter Tommy Keene — Bringing “Excitement At Your Feet”

July 16, 2014
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The under-appreciated singer-songwriter Tommy Keene is equal parts an aficionado and creator of pop music.

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Music Interview: Guitarist and Singer Tobin Sprout — the George Harrison of Guided by Voices

July 10, 2014
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Since then, they have remained as indefatigable as ever in terms of writing, recording, and touring.

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Fuse Interview: ArtsBoston Launches The Arts Factor — A Fact-Based Shot of Courage

June 25, 2014
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Until now, the powerful economic reality spotlighted by The Arts Factor has generally been ignored or dismissed as anecdotal.

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