Interview

Author Interview: Historian Jason Sokol on Race and Massachusetts — From the Red Sox to Springfield

January 5, 2015
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“I think a lot of people around town are fairly aware of the Red Sox’s checkered history in terms of race.”

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Arts Interview: Tim Page on the “Virgil Thomson: Music Chronicles, 1940-1954”

December 11, 2014
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Tim Page on a generous sampling of Virgil Thomson’s best music criticism – trenchant, outspoken, oftentimes delightfully clever, and always assured.

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Music Interview: Spencer Taylor Jr. — Gospel’s Godfather Comes to Dorchester

December 3, 2014
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Legendary gospel performer Spencer Taylor Jr. and the Highway QC’s will be part of the biggest traditional gospel program of the year in Boston.

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Book Interview: No Guns — No Civil Rights?

November 5, 2014
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“If you’re dead you won’t have a movement, and guns kept people alive. In particular, kept people who made the movement alive.”

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Theater Interview: Boston Public Works – Seven Playwrights Making a New Road Map for New Plays

November 2, 2014
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Self-production, I think, is for artists who also are entrepreneurs who have a burning desire to get their voice heard.

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Fuse Music Interview: Cold Specks — The Queen of Doom Soul

October 27, 2014
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Neuroplasticity is a bit more fleshed-out than its predecessor, but the album retains ample amounts of the slow to mid-tempo spookiness that Al Spx calls “doom soul.”

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Book Interview: The Boston Book Festival — Six Years On and Thriving

October 18, 2014
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“The Boston Book Festival is doing really well. It feels like an established part of Boston’s cultural scene.”

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Book Interview: Jim Vrabel Explores Boston’s History from the Grassroots Perspective

September 28, 2014
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A People’s History of the New Boston takes the “grassroots” view and tries to give overdue credit to the role that community activists and neighborhood residents played in building the “New Boston.”

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Book Interview: Marion Elizabeth Rodgers on the Expanded “Days” of H. L. Mencken

September 25, 2014
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In The Days Trilogy, Expanded Edition, H. L. Mencken comes off as a marvelously mellowed master, his trademark savagery smoothed over, its energy focused on generating a pungently picturesque vision of a vanished America.

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Music Interview: Beth Harrington on The Carters, The Cashes, and the Course of Country Music

September 23, 2014
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“The music itself is quite Gothic. It’s about murder, and death, and God, not all toe tapping stuff.”

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