Interview
“In these plays, part of my job is to unflatten history in a way that’s engaging, and also shows us that it’s okay for us to feel overwhelmed and confused and scared by the world — that we’re not so different from the people who came before us. They got through it, and we will, too.”
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“A lot of censorship in America has to do with the impulse to shut down what women have to say, literally hanging and burning them as witches to shut them up.”
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A documentary about a “crazy genius,” theater owner and film distributor Donald Rugoff, a difficult but insatiable P.T. Barnum-like impresario whose storied rise and tragic fall in the movie business has been overlooked.
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“I’m an anarchist as an artist — I write what I want, however I want. I refuse to adhere to the forms that society hands down.”
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Host Elizabeth Howard talks with Stephen Reily, Director of the Speed Art Museum in Louisville, Kentucky about the exhibition, “Promise, Witness, Remembrance.”
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The reader comes away from Love’s Next Meeting with an awareness of the rich history of homosexual culture existed long before the Stonewall riots in the summer of ‘69.
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One reason Fred Waitzkin’s work, outside of Searching for Bobby Fischer, is not as well known as it might be is that it doesn’t respect time-honored boundaries between fiction and nonfiction.
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Last week, just a month after the publication of Loot in the US, the Met in New York announced that it was returning two Benin Bronzes to Nigeria.
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“It is wonderful to see the variety, diversity, and the opportunities for Black artists to tell their stories and present themselves in ways that are not ‘traditional.'”
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Author Interview: “Of Thee I Sing” — Ben Railton on the Cycles of American Patriotism
“If you are more critical or try to highlight some of the worst things that happen in America, then you are un-American or anti-American.”
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