Film
I want to gird you, readers, for the insanity and beauty of Annette
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The irony is that this effort, surely not the last, of Hollywood reaching out to the “solid” citizens of Trump’s America will only alienate them further.
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It is about time that the filmmaking industry is forced to seriously grapple with issues of sustainability.
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The premier entry in the HBO documentary series “Music Box” shows how everything about the concert celebrating the 30th anniversary of Woodstock goes terribly wrong, then gets worse.
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The Road to Ruin is a practically unknown film begging for discovery, and to be championed as a startling example of pre-Code cinema. And as a keystone for creating a directorial reputation for “Mrs. Wallace Reid.”
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Despite the artificiality of Summertime’s premise, director Carlos López Estrada links the film’s episodes together via a kind of seamless magical realism: each moment smoothly leads to the next, each accelerates towards a powerful resolution.
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Director Michael Sarnoski’s first feature stars Nicolas Cage, and works as a mystery, a story of personal loss, and a foodie movie.
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Zola is an exhilaratingly salacious odyssey through the neon-lit strip clubs, dingy motels, and gaudy underbelly of America’s chaos state, like Showgirls as told by Zora Neale Hurston.
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The War Is Never Over is a compelling way to appreciate the importance of a music icon, to understand why Lydia Lunch’s work matters.
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Film Feature: Best of American Film Noir, 1940-1959 — An International Poll
The results of a Facebook contest for the Best of American Film Noir, 1940-1959
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