Film
This charming and upbeat musical doesn’t need to sashay away, but neither is it a hands-down winner.
Ben Whishaw crackles aplenty in Aniel Karia’s fresh and primal debut feature.
A quartet of highlights from this year’s Toronto International Film Festival: Anatolian Leopard, Dashcam, One Second, and Dug Dug.
Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.
Martyrs Lane doesn’t unfold like a typical ghost story; it’s more of a mystery seen through a child’s eyes.
The film catches the rhythms and vulnerabilities of real life when two worlds collide.
Afterlife of the Party backs away from serious issues, but it’s a sweet reminder of the power of female friendship.
The Card Counter collapses under the weight of director Paul Schrader’s guilt complex.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Film Feature: A Dispatch from Boston’s Last Video Rental Store
“If you really like something and want to make sure you have access to everything, you’ll never do better than having the disc.”
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