Film

Film Review: “Navalny” – Powerful Documentary About Putin’s “Extremist” Challenger Premieres at Sundance

January 28, 2022
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We learn that Navalny — if we didn’t know it already from reporters who cling to Putin’s charismatic nemesis — is a persuasive man who has gotten a long way on his wits and courage.

Film Review: “Jockey” – (A Battle to Get Back in the Saddle)

January 27, 2022
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An upstart young rider confronts an aging jockey. Yet there’s nary a cliché.

Film Reviews: Sundance 2022, Dispatch #4 — Trauma and Terror

January 27, 2022
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When given a choice, tend to choose films that are fairly harrowing to watch. The next three Sundance Fest films on my slate were often disturbing, but also powerful and inspiring on many levels.

Film Reviews: Sundance 2022, Dispatch #3 — What Remains

January 25, 2022
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I’ve seen a really interesting assortment of films so far. I can’t recite them all from memory,  but they’re not blurring into each other, either. Not yet, anyway.

Film Review: “Mad God” – God’s in His Heaven, All’s Forsaken With the World

January 24, 2022
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Think Ray Harryhausen by way of the Quay brothers or Jan Švankmajer and you’ll have a vague sense of the sort of magnificent black magic that animatesMad God.

Film Review: “Tantura” — Detailing the Dark Side of Israel’s Creation Myth 

January 23, 2022
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With Tantura, brimming with evidence that will now be hard to suppress, director Alon Schwarz may have won an important battle in the war of conflicting narratives about Israel’s war of independence.

Film Reviews: Sundance 2022, Dispatch #2 — In the Flesh

January 23, 2022
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My second Sundance dispatch deals with abortion, torture and cannibalism: what a scintillating combination for a bitterly cold weekend!

Film Reviews: Sundance 2022 — Dispatch #1, People Are Horrible and Amazing

January 22, 2022
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The first three films I saw at the Sundance Film Festival were very high-profile premieres.

Television Review: “Reframed: Marilyn Monroe” — A Feminist Tribute or a Reframe-up Job?

January 21, 2022
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The primary interest of Reframed isn’t film history; it is revisionist social statement, and a new twist on the celebrity documentary: star bio-cum-feminist essay.

Film Review: “Belle” — “Gales of song, guide me through the storm”

January 18, 2022
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Belle didn’t quite make my heart sing, but it’s a nice change of pace to see a film that treats the internet as a place that can bring people together, not merely a cut-throat Thunder Dome of clashing egos and verbal slap fights.

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