Film

Book Review: On Our Love Affair With Catastrophe — So Long as it is Happening to Someone Else

April 1, 2022
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David Thomson’s meditation on our love of disasters is engagingly allusive, reflective, humane, wide-ranging, and often funny.

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Film Review: “X” – The Texas Grindhouse Massacre

March 29, 2022
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X takes the right lessons from Chainsaw: it is both an adoring homage and a much needed rejuvenation of the slasher genre.

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Arts Commentary: The Oscars 2022 — No Longer So White, But Still Not So Hot

March 29, 2022
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It was soon clear what Oscar was after: two separate younger demographics — one with plebeian cinematic tastes, the other with hip politics.

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Arts Commentary: The 2022 Academy Awards — “Timmy, Don’t Hit Your Sister”

March 28, 2022
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Aside from the multiple awards Dune won for technological brilliance, the 94th Academy Awards was a very different sort of “Hooray for Hollywood.”

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Film Review: “Master” — The Ghosts of Oppression

March 19, 2022
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Mariama Diallo’s film is a subtle, sure-handed thriller that nevertheless delivers a stunningly deft commentary on the enduring horror of racism and sexism.

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Film Review: “Deep Water” — In Way Over Its Head

March 19, 2022
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Sitting through Deep Water is like being trapped at an endless, sodden string of dinner parties that don’t go very well.

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Film Review: “The Outfit” – (The Cutter’s Way)

March 18, 2022
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A subtle, elegant noir mobster film that maintains an aura of tranquility — until the violence begins.

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Film Review: “The Spine of the Night” – The Rape of the Land

March 17, 2022
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Recommending The Spine of the Night depends on how much you’d like to see things like head decapitations, eye-gouging, and people being disemboweled in your high-fantasy animated features, in which case Spine is everything you could hope for and a whole lot more.

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Film Review: “Fresh” – Meat Cute

March 9, 2022
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Never mind the faint of heart, Mimi Cave’s first feature isn’t for people with weak stomachs.

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Film Review: “After Yang” – (The problem’s plain to see, too much technology)

March 4, 2022
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Korean writer-director Kogonada’s meditation on life and how it’s lived is dreamy, haunting, profound, and deeply moving.

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