Film
From Mobile to Mars, from the mind of Robin Williams to the rise and fall of a Pez entrepreneur, and with a side trip to Newton South High.
Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.
A wrap-up of the London Film Festival that focuses on two favorites, Inland and The Store.
Both of these films explore the theme of difficult males and resilient, caregiving females.
It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
This little-seen film, disturbing, uncompromising, often darkly funny, should be recognized as one of the most original American independent films of this century.
Two films look at the hardships and realities of rural life, past and present, at the New York Film Festival.
In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
Yes, an ingeniously kaleidoscopic surface, but is there anything here, in terms of motivation, to justify all the fuss?
Two over-the-top social satires take sharp swipes at modern excesses.
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