Film
Werner Herzog likes the odds in “Every Man for Himself and God Against All.”
What happens when, through unwillingness or incapacity, memory is lost or forsaken? Two documentaries at the CineFest Latino Boston explore some answers.
Watching Cassandro become the “Liberace of Luchadors” is enthralling in itself, but we are also given the drama of seeing the protagonist wrestle with his own personal demons.
The unpleasantness of the film’s first sex scene turns out to be a foreshadowing of a refreshingly curdled vision of insecurity in the 21st century.
In her debut feature, music video director Jacqueline Castel supplies a moody and explicitly queer spin on the metaphor of monster as a maligned queer subject.
Four reviews of films about existence — past and present — for the marginalized in Scandinavia.
Reviews of three dark films that probe the crisis of authority, immigration, and feminism in Europe
The vicious, virtual, voyeuristic, and vicarious are on view at this year’s Camden International Film Festival.
Reviews of three films at this year’s Toronto International Film Festival that draw connections between class, violence, and politics.
Arts Commentary: Chile’s 9/11 — the Undying and the Undead
Two Chilean artists look at the death of democracy and the aftermath of the 1973 coup.
Read More about Arts Commentary: Chile’s 9/11 — the Undying and the Undead