Film
There is little doubt that Joyland‘s subject matter is what drew international attention.
It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
The dehumanization in The Little Mermaid is not just a matter of the absence of craft; at heart, this is a cynical investment that can’t transcend its craven essence.
Director Ryan Stevens Harris talks about his stunningly cinematic home-grown labor of love, Moon Garden.
What makes Scout Tafoya’s book a radical departure from earlier studies is his in-your-face challenges to John Ford’s character and his racial politics.
Both debut features by young women directors open with prayers.
Master Gardener is more Pinterest mood board than story.
This not-quite-full retrospective contains three masterpieces of Iranian cinema: Close-Up, Taste of Cherry and The Wind Will Carry Us.
Indie films of worth made by people with talent are falling into the cracks, and that’s sadly the fate of Out and About, a smart, beautifully shot and acted movie by Peter Callahan.
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