Film
There is little doubt that Joyland‘s subject matter is what drew international attention.
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It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
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The dehumanization in The Little Mermaid is not just a matter of the absence of craft; at heart, this is a cynical investment that can’t transcend its craven essence.
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Director Ryan Stevens Harris talks about his stunningly cinematic home-grown labor of love, Moon Garden.
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What makes Scout Tafoya’s book a radical departure from earlier studies is his in-your-face challenges to John Ford’s character and his racial politics.
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Both debut features by young women directors open with prayers.
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Master Gardener is more Pinterest mood board than story.
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This not-quite-full retrospective contains three masterpieces of Iranian cinema: Close-Up, Taste of Cherry and The Wind Will Carry Us.
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Indie films of worth made by people with talent are falling into the cracks, and that’s sadly the fate of Out and About, a smart, beautifully shot and acted movie by Peter Callahan.
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