Film
The Adams Family may be a low budget regional filmmaking collective, but it continues to raise the bar on horror art cinema.
A rundown of some of the strange and beautiful movies screened in Warsaw. Let’s hope they are scheduled for a digital and theatrical release in the United States.
A pair of documentaries featured in this year’s Arlington International Film Festival take a cold look at the death cult of fascism — past, present, and to come.
Under the guidance of Artistic Director Lisa Gossels, this year’s fest has, in her words, “something for everyone.”
In a time of outrage and grief, a trio of documentaries at the BJFF serve as a reminder of the traditional Jewish values of compassion and inclusion, reaffirming the power of activism, art, and simple acts of human kindness.
This thoughtful documentary watches cinemas vanish from a Brazilian city.
“Killers of the Flower Moon” is an exercise in kaleidoscopic, cubist storytelling that is, among other things, an epic on the art of the grift.
Despite a slow first half, “The Devil on Trial” picks up speed and suggests that the truth can be more infuriating than fiction.
Closing out coverage of the London Film Festival: films from Catherine Breillat, Michael Winterbottom, Luna Carmoon, Robert Morgan, and Daniel Kokotajlo.
Director Maggie Betts has much to keep in check – a courtroom drama and an exposé of corporate greed and racial politics in Mississippi.
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