Film
It really bums me out to tell you that “MaXXXine,” the much awaited final film in the “X” trilogy, is an underwhelming ending to an otherwise interesting nu-slasher series.
The latest film from Yorgos Lanthimos is a confusing mishmash of forced weirdness.
A profound piece of director Chris Wilcha’s life was being disrespected and threatened with extinction. He had to do something. He had to make a documentary about it.
At this year’s festival: the Best Film of 2024, “We Strangers,” and a slew of gossipy docs on show business celebrities.
Two films about the glories of summer are infused with bittersweet reminders of the reality of social class in America.
As usual, Annie Baker is more interested in how viewers gather information, gleaned from bits of dialogue, than in wrapping up a neat plot or delivering a message.
A movie about an amateur theater company’s production of a classic play taps into the universal truth of irremediable and ineluctable loss. And there isn’t a dry eye in the house.
Four films at this year’s Provincetown International Film Festival shared the theme of face-to-face communication, exploring the pleasures and pitfalls of encounters unmediated by screens and phones.
Two standouts at this year’s Tribeca Film Festival: “Bikechess” and “Made in England: The Films of Michael Powell and Emeric Pressburger”.
Here are films I’ve most loved watching the late Donald Sutherland in over the years.
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