Film
Seeing the rugged minimalism of golf in its infancy was very appealing.
Get Out owes much to the small but precious film genre that dares to cultivate bizarre and hip satire.
Director Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
Frantz explores the complicated emotions generated by the aftermath of a catastrophic war.
This is an old story, but the approach this time around is fresh, the acting uniformly excellent, and the pacing just right.
Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.
A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.
Terrence Malick attempts to liven up this hackneyed soap/rock opera with his signature swooping camera moves and stunning cinematography.
Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
A United Kingdom‘s astute reflections on racial and economic realpolitik makes this film far more than a love story.
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