Film
The film is full of salacious details from Hollywood’s heyday, but it is also a tender look at an elderly man whose current existence would be seen by many as difficult.
Sylvain Chomet’s sublime 2004 feature is a shimmering, knowing homage to the beginnings of sound animation.
In 1957’s Pal Joey, Rita Hayworth makes an indelible impression as a screen siren, as sexy as in her ’40s heyday.
Nico, 1988 lays bare the ravaged body and brooding soul of a woman who may yet be remembered as among the most iconic musicians of the twentieth century.
I made a pledge last week to compromise my movie going, and in a silly, humiliating way.
Sorry to Bother You is a doozy — vividly shot, morally vigorous, and consistently funny.
BlacKkKlansman is a fiery polemic on America’s long history of bigotry and racism, establishing a through-line that leads to the intolerance of the current president.
Womanizing Astaire grasps that Rita is the loveliest catch of all, and a keeper, in this musical treat.
A prescient work that introduces themes and imagery (particularly youth, nostalgia and urban angst) that have become central to Olivier Assayas’ oeuvre.
Film Commentary: Provincetown International Film Festival Gets Things Almost Right in Terms of Diversity
Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
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