Film

Film Review: “Nico, 1988” — Starlight Fades

August 14, 2018
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Nico, 1988 lays bare the ravaged body and brooding soul of a woman who may yet be remembered as among the most iconic musicians of the twentieth century.

Film Review: “Momma Mia! Here We Go Again” — Momma Mia!! 2!!

August 12, 2018
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I made a pledge last week to compromise my movie going, and in a silly, humiliating way.

Film Review: “Sorry To Bother You” — Engaging Anti-Capitalist Satire

August 10, 2018
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Sorry to Bother You is a doozy — vividly shot, morally vigorous, and consistently funny.

Film Review: “BlacKkKlansman” — Incendiary Entertainment

August 8, 2018
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BlacKkKlansman is a fiery polemic on America’s long history of bigotry and racism, establishing a through-line that leads to the intolerance of the current president.

Film Review: An Insouciant Double Bill — Rita Hayworth meets Fred Astaire

August 4, 2018
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Womanizing Astaire grasps that Rita is the loveliest catch of all, and a keeper, in this musical treat.

Film Review: “Cold Water” — An Early Masterpiece from Olivier Assayas

August 4, 2018
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A prescient work that introduces themes and imagery (particularly youth, nostalgia and urban angst) that have become central to Olivier Assayas’ oeuvre.

Film Commentary: Provincetown International Film Festival Gets Things Almost Right in Terms of Diversity

July 31, 2018
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Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.

Film Review: “Custody” — When Home Isn’t Safe

July 29, 2018
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Viewers who have endured abusive domestic family situations may find their throats swelling, their hearts thudding, and their hands shaking.

Streaming Docs: A Super-Deluxe Midsummer Night’s Edition, 2018

July 28, 2018
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Take a break from the summer heat to catch up on the best documentaries streaming on digital platforms.

Film Commentary: Monkee Python and the Heady Grail

July 26, 2018
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The quality of the experience has as much to do with the star’s in-person performance as it does with the film itself.

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