Film
Sylvain Chomet’s sublime 2004 feature is a shimmering, knowing homage to the beginnings of sound animation.
In 1957’s Pal Joey, Rita Hayworth makes an indelible impression as a screen siren, as sexy as in her ’40s heyday.
Nico, 1988 lays bare the ravaged body and brooding soul of a woman who may yet be remembered as among the most iconic musicians of the twentieth century.
I made a pledge last week to compromise my movie going, and in a silly, humiliating way.
Sorry to Bother You is a doozy — vividly shot, morally vigorous, and consistently funny.
BlacKkKlansman is a fiery polemic on America’s long history of bigotry and racism, establishing a through-line that leads to the intolerance of the current president.
Womanizing Astaire grasps that Rita is the loveliest catch of all, and a keeper, in this musical treat.
A prescient work that introduces themes and imagery (particularly youth, nostalgia and urban angst) that have become central to Olivier Assayas’ oeuvre.
Viewers who have endured abusive domestic family situations may find their throats swelling, their hearts thudding, and their hands shaking.
Film Commentary: Provincetown International Film Festival Gets Things Almost Right in Terms of Diversity
Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
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