Film

Film Review: 2020 Oscar Animated Shorts — Sadness and Beauty

February 3, 2020
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Among this group of strong animated shorts I found the French selection, Mémorable, to be the most powerful and artful.

Film Review: “Color Out of Space” — Unleashing a Primal Desire for Destruction

February 2, 2020
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All in all, Color Out of Space is only OK.

Film Review: The 2020 Oscar Documentary Short Films

January 31, 2020
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A critical look at this year’s Oscar-nominated documentary shorts.

Film Review: 2020 Oscar-Nominated Short Films — No More Than Adequate

January 30, 2020
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Who can explain why two of the five nominees are set in Tunisia? Or why several of them seem like student films?

Film Review: “Color Out of Space” — Trippy, Witchy, Uneven, Hilarious

January 27, 2020
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To move from a bucolic beginning to a surreal, chaotic climax, and then to an elegiac epilogue — that, in my book, is the sign of a well-crafted horror film.

Film Review: “What Did Jack Do? — David Lynch’s Amusing Monkeyshine

January 26, 2020
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After rewatching What Did Jack Do? a few times, I still don’t really know what the hell I saw. But I decided that I don’t care, because I kept laughing my ass off anyway.

Film Review: “Les Misérables” — Nobody is Safe

January 20, 2020
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Les Misérables invites us to ponder, in real time, how people respond in a chaotic, dangerous situation.

Film Review: Alice Guy-Blaché — One of the First, if not the First, Makers of Narrative Cinema

January 13, 2020
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A fuller accounting of the creative contributions of women to the film industry in its early decades is still fighting for a place in mainstream awareness. The documentary Be Natural is a valuable battering ram in that fight.

Film Review: “Just Mercy” — The Tragedy of Justice Deferred

January 10, 2020
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Artful films like Just Mercy remain necessary — these are the kind of stories our troubled nation needs to hear if we are to move forward.

Film Review: “Invisible Life” — A Sisterhood of Heartbreak

January 7, 2020
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The film’s modulated softness, its moments of quiet heartfelt sorrow, are testaments to a feminism that rejects political anger in order to embrace sisterly compassion.

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