Film
Linda Ronstadt was every young female singer’s aspirational goddess: if you could nail “You’re No Good” or “Blue Bayou” in the car or the shower, you had practiced a lot.
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Satanic Panic is a crazy ride, managing along the way to poke fun at the lifestyles of the rich and bored, reminding us that decadence among the upper classes is very scary indeed.
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This tender documentary makes an airtight case that cinema has lost a very special person.
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William McGregor has crafted a remarkable debut feature, a notable addition to the burgeoning crop of indie folk horror offerings.
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The Nightingale serves as both a powerful exploration of the past (from the perspective of the exploited) and a gripping vision of resilience in the face of unfathomable hate, greed, and cruelty.
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The Nightingale delivers an indelible vision of inhumanity perpetuated by colonialism and white privilege.
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feels both cautionary and elegiac; it is obviously relevant in these times of extremism and the rise of small town tyrannies.
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After the Wedding never finds its emotional rhythm; melodramatic confrontations about betrayals and past choices lurch clunkily along.
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D. A. Pennebaker was inventive, dogged, and had the ability to win people’s trust.
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Quentin Tarantino delights in exhausting his audiences as much as he does in entertaining them.
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Arts Feature: Best Movies (With Some Disappointments) of 2025