Film
After rewatching What Did Jack Do? a few times, I still don’t really know what the hell I saw. But I decided that I don’t care, because I kept laughing my ass off anyway.
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Les Misérables invites us to ponder, in real time, how people respond in a chaotic, dangerous situation.
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A fuller accounting of the creative contributions of women to the film industry in its early decades is still fighting for a place in mainstream awareness. The documentary Be Natural is a valuable battering ram in that fight.
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Artful films like Just Mercy remain necessary — these are the kind of stories our troubled nation needs to hear if we are to move forward.
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The film’s modulated softness, its moments of quiet heartfelt sorrow, are testaments to a feminism that rejects political anger in order to embrace sisterly compassion.
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George MacKay’s astonishing turn lifts 1917 from pyrotechnical marvel to a shattering emotional experience.
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Following the stories of these unique, gifted, and sadly overlooked individuals can be as gripping as the music they made together.
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In Fabric is a mesh of black comedy, horror, and art house psychedelia. I found it wildly original.
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The Arts Fuse Mentorship Program invites high school students from diverse backgrounds (in this go around from Somerville High School) to team-up with Arts Fuse critics.
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You will laugh at Uncut Gems, but you will leave the theater shaking.
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Arts Feature: Best Movies (With Some Disappointments) of 2025