Film

Film Review: Recommendations — Architecture and Design Documentaries for the Housebound

March 29, 2020
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Films for those who practice — or are just interested in — design, architecture, and urban planning

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WATCH CLOSELY: Peg’s Pandemic Picks — Medieval Plague Edition

March 18, 2020
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This new series will offer ideas for movies and series that have stories or themes at least marginally related to the pandemic we’re all living through.

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Film Review: “Swallow” — Unknowable Appetites

March 14, 2020
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This carefully-crafted chamber piece revolves about a woman whose compulsion to eat non-edible things is both fascinating and disturbing.

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Film Review: “First Cow” — A Bovine Tour de Force

March 13, 2020
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Marvelously acted and directed, First Cow is a masterpiece that dramatizes how struggle and adversity are part of the human comedy.

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Film Review: “Beanpole” — Hardship Rendered in Searing Color

March 1, 2020
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Beanpole is infused with a profoundly tender intimacy, interspersed with stark portrayals of pain, cruelty, and sacrifice.

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Film Interview: Talking to Autumn de Wilde and Anya Taylor-Joy about “Emma.”

February 28, 2020
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A comical version of Jane Austen is coming our way via Autumn de Wilde’s Emma.

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Short Fuse Podcast #25 — An Interview with Film Directors Andrew Silver & Tim Jackson

February 26, 2020
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For the second straight year, the Art Fuse podcast — Short Fuse — has been named a finalist for the Somerville Media Center’s Best Boston Free Podcast of the Year Award!

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Film Review: “The Lodge” — The Horror of Indoors

February 25, 2020
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The Lodge suggests that our money, social privilege, and carefully-crafted stability are not enough to keep the wolves from the door, or to protect us from the dangers that lurk indoors.

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Film Review: “Zombi Child” — Alluring Haitian-French Folk Horror

February 21, 2020
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At times, Zombi Child successfully hovers between spooky documentary and an art house coming-of-age film.

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Film Review: “What She Said: The Art of Pauline Kael” — Rebellion Has an Expiration Date

February 21, 2020
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Pauline Kael capitalized on counterculture snobbery, the pecking order of the oh-so enlightened.

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