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I’m sure organizers are not losing a lot of sleep over controversies about the definition of “folk” music since festivals are selling out.
Here is Tanglewood live and uncensored, as it were, with music often thrillingly brought to life by some of the hallowed legends of the BSO’s storied past: Koussevitzky, Monteux, Munch, Leinsdorf, Ozawa, Bernstein, Previn -— the list goes on and on.
A 19th-century Russian masterpiece presented in a translation and a production whose mishmash of style distorts the play and confuses both actors and audiences.
Art and science rebuffed each other in this show. Visitors are unlikely to leave with either a greater understanding of cosmology or of Josiah McElheny’s art.
Two superb new films, “Moonrise Kingdom” and “Beasts of the Southern Wild,” revolve around children and the power of love.
Sponsored by the Harvard Writing Program and the Harvard Summer School, the event was introduced, perhaps humorously, to the audience as a “meeting of German–American relations.” In reality, it was a more of a showcase in differences about each country’s historical imagination.
“The Dream of the Celt” succeeds at educating its readers about the worlds in which Sir Roger Casement lived his successive lives, but not about his successive personalities.
Greg Hawkes and his trio are proof that in the right hands, with the right material, an evening of ukulele is a marvelous showcase for the pure beauty of great songwriting and the virtuosic ability to wring exquisite chords and blissful harmonics from four strings on a stubby fretboard.
Instead of painting the vibrant and colorful scene which is New Orleans, author Matt Miller supplies dry exposition about each event via a blow-by-blow chronological time line.
Shakespeare’s “Coriolanus” deals with the difficultly of recognizing superiority at a time of radical social breakdown, specifically when it is democracy that is in extremis.
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