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The refrain leveled at so many brilliant woman artists is also often attached to Modersohn-Becker: she died too young for us to really know if she could have achieved greatness. But that claim does not hold up in the face of the works here.
Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
Our classical music critics supply their favorites, albums and concerts, from over the past year
Jesus Lizard remains one of rock’s most fearsome combos, and this night the veteran band delivered one of 2024’s most memorable shows.
I encourage anybody interested in the current state of opera to get to know Michael Dellaira’s “The Leopard”.
Violinist Kristin Lee revels in ragtime; pianist Jihye Chang commissioned a series of keyboard etudes from eight Boston-based composers.
Conductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
It may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
Book Commentary: “Taming Silicon Valley” — Man Over AI
The kinds of regulations Gary Marcus proposes, however well-intentioned they may be, would — in practice — only end up further disenfranchising the masses.
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