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If the music that can touch you so deeply with so few notes weren’t so magical, there’s also Emahoy Tsegue-Mariam Guebru’s fascinating back-story.
We stirred in a number of scrappier shows at more experimental venues and were treated to Edinburgh’s wild and wonderful arts extravaganza.
I am a secular Jew who can’t but welcome Zealot‘s conclusion that Christianity pulled a role reversal on Jesus, and made this failed revolutionary Jew into someone who eschewed his people and its traditions in favor of Roman power.
So what’s a hero to do but throw punches and kicks in the name of love and forgiveness?
The third and latest LP from indie singer-songwriter and composer Julia Holter proffers a vision of urban ecstasy.
Dave Holland’s Prism tells stories, several of which are very effective. Scofield’s, like his earlier Überjam releases, extends the jam-band esthetic into jazz without completely giving in to it. And neither of them would be as they are without the great looming shadow of Miles Davis.
What carries Blue Jasmine over the moon is the breathtaking, Oscar-worthy performance of Cate Blanchett, whose tortured Park Avenue socialite on the skids is among the most stunning performances by an actress in years.
Intellectual frameworks such as “the rise of Europe,” “the decline of the East,” or “the clash of civilizations,” tell us more about the laziness of the human mind than they do about history.
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