Featured
Dramatizing the essence of punk was Bradford Cox’s chief goal while composing “Monomania,” which he describes as a “very avant-garde rock & roll record.”
It may be only a movie, but in his book “Film after Film,” former Village Voice writer J. Hoberman proves he isn’t just a movie critic.
“Gonna Make a Record in the Month of May” — May 2013 and Why This Year Already Beats 2012
“Rapture, Blister, Burn” feels less like an exploration of feminism today than a clever sitcom pilot that won’t be able to sustain its jokes for an entire season.
The filmmaker is annoyingly passive and star-struck, as the documentary’s subject, Ricky Jay, speaks to his chosen agenda: a wish to tell stories about his mentors and favorite magicians.
After the critical success of 2011’s “Badlands,” Alex Zhang Hungtai returns with the release of “Drifters/Love is the Devil” — a double album that expresses trauma in two devastating ways — the direct and the atmospheric.
Two new albums from BMOP Sound reflect the considerable artistry and vision of Gil Rose and the Boston Modern Orchestra Project.
Stage Commentary: The Need for a Theater of Transformation
Theater taught me how to draw parallels, to condense, to delete triviality and to recognize significance.
Read More about Stage Commentary: The Need for a Theater of Transformation