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We’ve heard all these gripes before, in life, in books, on TV, and in piles of movies. But Kathryn Hahn, is so enthralling and right that Rachel’s alienation, her poor little rich girl suffering, feel harsh and real.
George Scialabba is still outfoxing the professional eggheads in For the Republic, his third collection of essays on political and cultural topics.
Playwright Stephen Jeffreys, despite his gifts as a writer, seems unable to find the dramatic stakes in his play.
While it has its highlights, The Family limits our frame of reference to other movies, rather than anything resembling real life.
Teaming up allows Bridge Rep, as a new company, to do a much, much bigger show than we might ordinarily be able to do: we can offer our audiences a large ensemble piece like The Libertine, which would be beyond our reach otherwise.
Director Spiro Veloudos keeps the clockwork running smoothly, not just ensuring that that the actors keep the rhythm, but making use of a skilled backstage crew who engineer (miraculously and on time) scenery and costume changes.
The breath of contemporary Latin American visual art, as shown in this splendid exhibition, is vast.
Hilary Holladay’s biography of Herbert Huncke provides valuable insight into a person and world that were begging to be explored.
Fuse Commentary: 2013-1014 Orchestral Season Preview
So, even though certain pieces by Mendelssohn and Beethoven seem to be turning up with greater frequency than perhaps may be healthy, there is still much to admire and look forward to in the upcoming orchestral season.
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