Featured
Violinist Joshua Bell and pianist Sam Haywood delivered a highly entertaining and substantive (if too short) Sunday afternoon recital.
At its best, “BE” is an adventurous album, which automatically makes it an improvement over Beady Eye’s 2011 debut.
Hopefully, Death Grips can keep finding new ways to convey contemporary dissonance, because as it stands now they have produced four of the most important musical works of the 21st Century.
I was mesmerized by the coherence of the shifting patterns, their ideas so clearly presented, even though the work by no means provided more than a suggestion of a story.
“The Whore From Ohio” is a provocative reminder that the same creature that is born to eat, drink, copulate, rot, and die is also a creature that dreams, tells stories, contemplates its own existence, and attends the theater.
In “Some Day,” Shemi Zarhin has masterfully woven together a tangle of bittersweet tales and elusive dreams. it is a book that is a pleasure to read and reread.
“It’s easier to make a movie now but it’s harder to get it distributed in a way that people will see it.”
British dramatist Caryl Churchill proffers a valuable line of satiric attack on our delusions of doing good, so it is easy to forgive the dramatist her broad and scattershot comic approach.
The first half of “The Broken Circle Breakdown” is directed in the most conventional way. In the better second half, the leads dig deeply into their characters, sing bluegrass wonderfully.
Film Commentary: A Contrarian View of “12 Years a Slave”
Why haven’t more movies been made about American slavery? Hollywood studio racism is certainly a prime factor; but even for determined anti-racists, there’s also the aesthetic problem of creating a compelling film drama.
Read More about Film Commentary: A Contrarian View of “12 Years a Slave”