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I get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
Read MoreBoth of these exhibitions challenge our very notions of time and identity and the social structures around us.
Read MoreArts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
Read MoreOn Sunday, the Boston Symphony Chamber Players celebrates its 50th birthday with a typically brilliant program, one that features four world premieres.
Read MoreJust in time for Valentine’s Day, Tarrus Riley and his Dean Fraser-led Black Soil Band are touring, and the group is coming to Revere’s Wonderland Ballroom tomorrow.
Read MoreAaron Swartz is indeed a martyr, but there’s more here. The film identifies an ongoing battle over control of information as much as it explores a troubled life that ended far too soon.
Read MoreChameleon Arts Ensemble’s rather lengthy program was like a huge feast, ending with the sumptuous Saint-Saëns’ Sonata No. 1 in d minor.
Read MoreThere is more than one way to tell the truth, “The Good Lord Bird” reminds us again and again, and many reasons to cloak it in humor.
Read MoreEach of Susan Metrican’s pieces is coy and playful. Moving through the gallery is an adventure, visually and spatially.
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Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”
Arts Fuse writer Tim Jackson recalls the impact of being in the audience of the “Ed Sullivan Show” fifty years ago.
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