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Film Review: A Brilliant, Anguished “Le Week-End”

March 29, 2014
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Adeptly directed by Roger Michell, “Le Week-End” soars because of its glorious leads.

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Coming Attractions: What Will Light Your Fire This Week

March 28, 2014
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Arts Fuse critics select the best in music, film, theater, author readings, visual arts, and dance that’s coming up this week.

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Book Review: “MFA vs NYC” — There Are Worlds Elsewhere

March 28, 2014
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The culture of American fiction is never as neatly defined as books like “MFA vs NYC” make it out to be.

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Theater Review: A Languid “Seagull” at the Huntington Theatre Company

March 27, 2014
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I do not remember disliking the characters in Anton Chekhov’s “The Seagull” as much as I did in this production.

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Concert Review: Gary Numan at the Paradise — A Friendly Kind of Intensity

March 26, 2014
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Yes, Gary Numan’s jumped a bandwagon, but the former new-wave hitmaker has done it with style.

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Concert Review: A Gripping Los Angeles Philharmonic Orchestra at Symphony Hall

March 25, 2014
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For at least the last decade, the LAPO has set the bar in creative programming, commissioning new works, and integrating itself into its community.

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Concert Review: Cellist Yo-Yo Ma Delivers a Magical Evening

March 24, 2014
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Heralded cellist Yo-Yo Ma has played with several distinguished pianists over the years, but none (are) better than Kathryn Stott.

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Film Feature: Local Rocker Robin Lane and Coming Back Strong “When Things Go Wrong”

March 23, 2014
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Robin Lane’s story goes back to her ‘60s days as a child of Hollywood glamor, her long tenure as a Boston rock survivor, and her recent renaissance as a musical counsellor for abused women.

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Book Interview: Jewish-American Writer Bernard Malamud at 100 — Appreciating the Beauty of the Ethical

March 23, 2014
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“Bernard Malamud is the great sentence-maker, the great craftsman, and the sheer quality of those sentences has never perhaps been given its complete due.”

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Film Review: “Tales of Intransigence” — A Ribald Road Movie at the Boston Turkish Film Festival

March 23, 2014
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Centered on the acting talents of the late Tuncel Kurtiz, the film is a ribald, engaging, and briskly-paced concoction of improvisation and folklore.

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