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Music Review: The Proud Evolution of Liars — from “They Threw Us All in a Trench and Stuck a Monument on Top” to “Mess”

April 3, 2014
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The dazzling LP “Mess” proves that the band Liars has not half-heartedly made the switch to electronic music.

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Book Review: Russia’s “Vodka Politics” — An Inseparable Duo

April 3, 2014
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What about today? Has Russia finally hit bottom and recovered? Is the political economy of vodka a thing of the past?

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Theater Review: “Brundibár” and “But The Giraffe!” Serious Theater for Young People

April 2, 2014
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The Underground Railway Theater production shows that sometimes children’s theater is capable of a moral depth (perhaps even a fearlessness) that adult theater often avoids.

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Music Interview: Pianist Jason Moran Plugs into the Powerhouse, Fats Waller

April 1, 2014
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“I love Fats Waller. Fats Waller will always be here because he is simply that magnetic a person(a).”

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Book Review: Pierre Michon and his Many Artistic “Lives”

March 31, 2014
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The books are bleak in that Pierre Michon provides no reassuring, idealistic view of the creative urge. Art leads to no transcendence, no permanent uplifting sentiment. Making poems or making pictures is a rough daily business.

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Rock Music Feature — Let’s Get Ready to Rock ‘N’ Roll Rumble

March 31, 2014
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call it, jokingly, the Boston Rock Love Fest, but it really is!” exclaims Rumble organizer Anngelle Wood.

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Film Review: At the Turkish Film Festival — Magic Realism Conjured in Black and White

March 30, 2014
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Not many movies try to wring poignancy out of a distraught man standing in a field, shouting his anguish to the sky, while holding two severed limbs.

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Visual Arts Review: Cyberarts’s Art on the Marquee — Digital Game Shorts for Now People

March 30, 2014
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Whether art can comfortably exist in this thoroughly commercial frame is a question for the ages. Let’s say that whether this show succeeds is firmly in the eye of the beholder.

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TV Review: Simon Schama Tells His “Story of the Jews”

March 29, 2014
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Simon Schama just can’t stop going on about religion and the extra-special Jewish feel for beauty that has, to his mind, kept Judaism vibrant and intact through the ages.

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Stage Preview: See Me, Hear Me — Nalaga’at Theater Deaf-Blind Acting Ensemble

March 29, 2014
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Israel’s Nalaga’at Theater Deaf-Blind Acting Ensemble, whose name translates to “Do Touch,” is on a U.S. tour that included a side visit to the White House.

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