Featured
Things are going well with Monadnock Music: before Saturday’s concert kicked off, managing director Christopher Sink announced that the festival had cleared its financial debts as it heads into next year’s 50th anniversary season.
Writer-director Catherine Breillat’s Abuse of Weakness is a fascinating, nicely restrained look at what in retrospect was a parasitic relationship.
It occurred to me that, given the variety of the Metropolitan Opera’s current problems, maybe General Manager Peter Gelb should consider putting this best of all possible Candides on his menu.
Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.
At its best, the playful absurdity of Franz West’s work seduces the viewer.
Under relaxed house arrest, Iranian director Jafar Panahi bravely concedes that, at times during his incarceration, he’s worn down, tempted to end it all.
The $3 million American Repertory Theater version of Finding Neverland remains a work in progress, a “tryout” as it has been dubbed, and it feels just like that.
Doug Elkins’ take on Othello is entirely of our era, when domestic abuse is finally a public discussion and a complex story of betrayal can be conveyed with pop culture efficiency.
I like to believe that I’m not loony, that, unlike certain 78 collectors profiled by Amanda Petrusich, I have a perspective on all this.
Beginning next month, local venues will be positively overrun with reunion shows representing five decades of Boston bands — without doubt the largest reunion event in the history of the Boston scene.
Recent Comments