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Why did this version of Far from the Madding Crowd have to be so straight-laced and traditional, so bland and dull?
The collaboration with the mortally ill Ed Pincus, Lucia Small explains, came about from a mutual desire to experiment with documentary form.
It’s not by accident that some of the greatest coming-of-age stories are concerned with deconstructing social stereotypes.
How can you act sanely when your country is brazenly committing genocide? Many of us didn’t.
With this one project, Boston has gone from a public art also-ran community to a serious cultural player.
Axel Krygier wisely treats the album’s framing concept as lightly as possible, turning Monsieur Bigfoot into a sort of Everyhominid who offers existential-woe comments on a variety of subjects.
The 18th Annual Jewish Film Festival approaches its end with two compelling cinematic looks at Jewish history.
Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part Two
I would like to think that there are more composers working today who think of themselves as beyond category.
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