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Visual Arts Feature: Alla Kovgan, Treasure Hunter—Merce Cunningham at the ICA

October 22, 2015
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Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.

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Fuse Visual Arts: Sound in the Now—”Curious Sound Objects” at Boston Cyberarts Gallery

October 21, 2015
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Curious Sound Objects showcases works that sit at the intersection of art and science as well as aesthetics and technology.

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Classical CD Review: “Con eco d’amore”—Elizabeth Watts sings Scarlatti

October 21, 2015
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Soprano Elizabeth Watts’ voice is as clear as crystal in every musical context and texture.

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Fuse Blues CD Review: Blues Spirit Catcher—Ironing Board Sam Beats the Odds Again

October 21, 2015
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Blues feeling remains as unpredictable as ever. Who would have guessed that its strongest incarnation this year so far would be Ironing Board Sam’s Super Spirit?

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Film Review: “Stray Dog”—A Red Neck Hero

October 20, 2015
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Stray Dog shows us again and again, through its protagonist’s words and actions, that you can’t judge a book by its cover, or its red neck.

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Book Review: Towering Rage and Bottomless Mirth—Jonathan Franzen’s “Purity”

October 20, 2015
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My biggest gripe is with a central tenet of Jonathan Franzen’s fiction: communication between generations is impossible.

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Fuse Dance Review: Doug Varone and Dancers—Dense and Transparent Layers

October 20, 2015
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Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.

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Rethinking the Repertoire #5: Leonard Bernstein’s “Songfest”

October 19, 2015
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Bernstein’s Songfest is Exhibit A in the argument that American orchestras and conductors need to champion the music of these shores.

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Fuse Concert Review: A High-Voltage “Elektra” at Symphony Hall

October 19, 2015
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I’ve rarely heard the Boston Symphony Orchestra playing with greater color, pliancy, or controlled energy as they delivered on Saturday night.

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Dance Interview: Luminarium Dance Company goes “Spektrel” for Halloween

October 19, 2015
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The “treats” being offered throughout Spektrel’s four dances are an eclectic variety of movement, music, and moods.

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