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With conformity on the march, Ionesco’s Rhinoceros remains as timely as ever.
I’m deeply grateful to Arts Emerson for bringing the Maly Drama Theatre to Boston and hope for more.
This year’s Taste of Iceland is bringing in only one film, Rock in Reykjavik, and it is screening only once.
The rapturous reaction to Boston Ballet’s performance on Sunday afternoon demonstrated that this kind of work can still move an audience.
The Annotated Poe invites readers to take a fresh look at Edgar Allan Poe and his far-ranging artistic legacy.
Felix Mendelssohn remains one of the West’s most underrated composers.
Brian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Those assembled at Boston’s Jordan Hall were thoroughly prepared to be enraptured.
Rethinking the Repertoire #7 – Christopher Rouse’s “Phantasmata”
Christopher Rouse is a tough composer to pin down and that stylistic unpredictability has, in part, provided his music notable expressive breadth.
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