Featured
There’s an apparent level of trust between the BSO and its leader, best demonstrated by the spirited excellence of the orchestra’s playing of late.
The Table is serving a nightly prix fixe menu that will win over the palates of the most finicky foodies.
Elvis Presley and Richard Nixon connect in their joint emotional poverty in this funny, charming, yet somewhat fluffy film.
From Roxbury to Mattapan to Beacon Hill to City Hall, new and not-so-new events are becoming annual features of Boston Jazz Week.
The School for Scandal hasn’t dated a jot: put Snake, Mrs. Candour, and Mrs. Sneerwell on Facebook and watch civilizations totter.
The real advantage Born To Be Blue has over Miles Ahead is that it uses the music as a way to get into the soul of its title character.
Nikolaus Harnoncourt’s final recording is the conductor at his best. Bernard Haitink helmed a great performance of Mahler’s Symphony no. 1.
Over the decades, avant-garde jazz musical Henry Threadgill has not only enriched but remade the musical landscape.
Based on a graphic novel, the brilliant Historia de Amor is unrelenting in its darkness. It’s as if we’re swimming in a pool of India ink.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein