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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
I can’t quite believe I’m cautioning viewers about the troubling nature of a documentary about tickling.
This production of Driving Miss Daisy isn’t about conflict and irresolution, but sentimental reassurance.
Director Nicholas Winding Refn has turned the dark side of modeling into a horror film, one that will no doubt generate plenty of controversy.
Patrick Gabridge’s political satire presents some intriguing sci-fi-like concepts, but the play falls into too many narrative potholes.
Former Newsweek bureau chief Joshua Hammer has documented a timely story of cultural heroism.
There is nothing quite so exhilarating as watching Shakespeare done right – except, perhaps, watching one of his plays done right, twice.
Wild Williams is a marvelous antidote for the formulaic.
It doesn’t get much better for father and sons than when these virtuosos give their superb all for the Bach clan..
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein