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Like most of the innocent heroines in horror movies, Bluebeard’s wife is unaware of the old adage of curiosity killing the cat.
Mark St. Germain’s drama is not about Cold War politics, but the question of whether a great man is (or need be) a good man.
The musical is a relentless, one hour and fifty minute excursion into the history of racial bias in America, from the cotton fields to the Civil Rights movement.
You’re not supposed to look for deep meaning in this often-revised jumbo of a ballet.
At 82, Cohen seems to feel that there isn’t a lot of time left and that he has nothing to prove to anyone.
Though Kenneth Lin wrote Warrior Class in 2012, it is easy to see its resonances with the 2016 election cycle.
Kelly Reichardt’s cinema gives us slow, rich portraits of life’s daily rhythms, its frustrations and unresolved conflicts.
Frances Wilson’s biography of Thomas De Quincey is superb, written with enormous empathy and insight.
Tiger Style! blows by like a whirlwind — wordy, frivolous, and ultimately unsatisfying.
The heart of this theatrical reboot is what it means to go for broke and bet on love, or art, or both.
Theater Commentary: Theater for Young Audiences — What Role Can It Play In Saving Our Democracy?