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The late Larry Coen was a mainstay in Boston theater.
The most compelling reason to see this film is Annette Bening’s performance as Gloria Grahame — it’s perfect.
Despite Shostakovich’s often-dissonant approach, the Fourteenth has always been highly-regarded if infrequently-played.
Despite its drawbacks, this is a powerful production that speaks to what is happening today.
The BBC Scottish Symphony Orchestra gives sold readings of two Michael Tippett symphonies.
This Proof’s weakness comes from the thinness of its lead performances.
A round-up that includes: irresistible Beethoven, welcome arrivals of spring, a spirited celebration of Toscanini, and spectacular, revelatory Tchaikovsky.
Time seemed to stand still, a reflection of Jeremy Denk and Stefan Jackiw’s astonishing polish — they understand the music of Charles Ives deeply.
When it comes to helping artists make a living, social media turns out to be a mixed blessing.
A pianist with an uncommonly sensitive touch, Garrick Ohlsson’s playing encompasses poeticism and technical strength in just about equal measure.
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