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Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
The Fuller Craft Museum’s appealing and thoughtful exhibit showcases a wonderful assemblage of diverse utensils and accessories used in domestic as well as professional kitchens.
Flat Earth Theatre has made a bold and relevant programming choice, taking on a play that examines how technology can both shape our illicit desires and fulfill them with ease.
This effort is the most ‘Hollywood’ score the BSFO has created yet, a plush musical carpet for The Man Who Laughs’s emotional high and lows.
It never occurs to him that, by championing just the great works of Western Civilization and consigning pop culture (notably science-fiction) to the flames, he’s exercising his own pernicious brand of censorship.
In the end, Philip Roth produced the greatest body of work in the 20th century since William Faulkner and Saul Bellow and I.B. Singer.
Father’s Day Feature: My Father the Former Communist
Having a father in prison meant radical changes in our everyday lives.
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