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A prescient work that introduces themes and imagery (particularly youth, nostalgia and urban angst) that have become central to Olivier Assayas’ oeuvre.
A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
Overall, this was classy cello playing. Colin Carr relied on, and brought out, the inherent architecture of the Bach suites.
Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
On the Couch is an extraordinary coffee table book for anyone interested in “recumbency” and how the couch became the icon of psychoanalysis.
Viewers who have endured abusive domestic family situations may find their throats swelling, their hearts thudding, and their hands shaking.
Vocalist Allegra Levy is at her strongest when purveying certain specific moods — melancholy, playful, even lightly ironic.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Ronnie Cuber makes the high-speed acceleration sound lyrical as well as virtuosic; the band obliges with solos that come off as much more than your standard bop band running the changes.
Film Commentary: Provincetown International Film Festival Gets Things Almost Right in Terms of Diversity
Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
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