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Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.
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The communication among the group members is at a high level and the playing is flawless.
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For poet Philip Levine, music is not only a good thing in life: the good things in life are music.
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Steve is a satisfyingly genial comedy that brings up, but then darts quickly away from, serious issues.
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There is much to love in this Lyric Stage Company production and I recommend it highly.
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Musically, everything clicked in Boston Musica Viva’s annual Family Concert.
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“You can be certain that when the show begins and you hear “Mack the Knife,” the choreography will suggest scenes of slashing and murdering.”
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Throughout the night, CpM music director Jamie Kirsch kept tempos lively and never lost sight of the overarching shape of each of the evening’s big pieces.
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Adrianne Krstansky, a marvelous actress, understandably exhibits signs of the strain of having to carry the entire production on her shoulders.
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What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
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