Featured
Indo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
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Just about every aspect of Loveless is executed perfectly.
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Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
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Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
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This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
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This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
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In The Humans, Stephen Karam suggests that America can be a heaven that, in a moment, might flip into hell.
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Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
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Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.
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Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
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