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I speak for the legions who benefitted from your friendship and your great energy and talent.
This volume is clearly critic Nate Chinen’s resounding response to the “jazz is dead” chant.
The Tallis Scholars are unquestionably today’s most renowned exponent of Renaissance sacred music.
Pete Shelley’s elegies for the wilted flowers of romance were shouted over songs that were alternately tuneful and fierce.
The company’s staging is dynamic and vivacious, and the unconventional seating arrangements give audience members the chance to place themselves in the center of the action.
None of the opera recordings I have reviewed this past year beats this Cradle for dramatic vitality, musical imagination, and ongoing political relevance.
The success or failure of this show rests primarily on the physical presence, voice and acting of the actor playing the celebrated lyric tenor Roland Hayes.
Playful and political, eerie and goofy by turns, this exhibition brings together puppets, performing objects, masks, and puppet (and doll) performances on video.
Acclaimed playwright and screenwriter Michael Cristofer’s script is very open about portraying Emile Griffith’s sexuality.
Film Commentary: A Critical Dichotomy — Time to Resolve It
It’s as if critics of silent films were barred from discussing talkies, or devotees of black and white were banned from discussing color.
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