Featured
“Since the late ‘60s I’ve been up and down the Northeast corridor, and Boston’s always one of our favorite stops.”
Here was another (all-too) typical example of ballet companies reinforcing a patriarchy that hardly reflects the number of women in their ranks.
The boys (Lucas Spiro and Matt Hanson) are joined once again by Arts Fuse editor-in-chief Bill Marx.
In this valuable study, Caitlin Rosenthal isolates an assortment of business practices and technologies that reflect the sophistication of New World plantation economies — dispelling myths of their romantic crudeness.
Farcical fight and sex scenes might be forgivable, but the “mystery” is so barely there it utterly fails to engage — and that’s lethal to a novel in this genre.
black odyssey boston is a fearless, funny, and fraught reimagining of Homer’s Odyssey as the story of the African-American diasporic experience.
As readers know, a thread of melancholy runs through Tolkien’s masterwork, deepening and informing his achievement. It should, by rights, have its place in any depiction of his life.
This month focuses on contemporary country-rap. It’s high time we take note of a fledgling genre on the verge of mass popularity.
Cry It Out is a well-done dramedy that suggests that we try harder to let life’s sweet moments linger.
The perversity of The Handmaid’s Tale oppressive allegory lends itself well to opera, and Boston Lyric Opera makes the most of the material’s emotional heights and depths.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy