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Music Preview: Music as Metaphor — A Far Cry, a Physicist, and a Composer Reflect on “Gravity”

April 11, 2019
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The music swelled as the early universe spun …

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Visual Arts Review: The Happy Place? More Like The Sad Place

April 11, 2019
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Of course, there can be no happiness in America without lots of corporate support.

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Film Preview: At Somerville Theatre — Fake Bands, Real Good Movies

April 11, 2019
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Most of the films selected will be shown in 35mm, making the visual experience as invigorating to watch as the music will be to listen to.

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Visual Arts Review: “Huma Bhabha — They Live” and “The Beyond — Georgia O’Keeffe and Contemporary Art”

April 10, 2019
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Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.

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Dance Review: Batsheva Dance Company of Israel — Strange Encounters and Outbursts

April 9, 2019
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This mysterious dance may have no meaning at all beyond its cryptic theatricality and movement. Or it may mean a lot.

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Arts Fuse Podcast #13: Everything You’ve Wanted to Know About Book Reviews But Were Afraid to Ask

April 9, 2019
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If you’re a fan of the podcast or the magazine, you know that Arts Fuse writers are sworn adversaries of the dreaded algorithm.

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Opera Review: MassOpera’s “Die Fledermaus” — Modern Life, Lampooned

April 9, 2019
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MassOpera’s updated version of Die Fledermaus pulls off a major feat.

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Theater News: IRNE@23 — Boisterous Irreverence

April 9, 2019
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The IRNE event did what it has done for decades: cast a warm glow on a vibrant local theater scene and those who are dedicated to entertain, astonish, and inspire.

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Television Review: “Crashing” — The Power of Being Earnest

April 9, 2019
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Crashing shows us how Holmes’s innate sweetness and affability carries him through the awkwardness and indignities of being a working comedian.

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Classical CD Reviews: François Xavier-Roth conducts Berlioz, Yan Pascal Tortelier conducts Gounod, and JoAnn Falletta conducts Respighi

April 9, 2019
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A freshly thought through, energetically executed Berlioz disc; a lovely album that contains excellent performances of underperformed and unfamiliar repertoire that deserves to be heard and championed; a fine, sometimes inspired account of Respighi.

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