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Contemporary crafts in those days would have been seen as far from the ‘vanguard’ by many art critics. Yet the almost 100 works on view tell a nuanced story about the expansive spectrum of creativity.
The new pop musical tells the oft-told tale of uxoricide from the women’s perspective.
This is the first in a series of pages in which in one of our critics, working with a young person, comes up with an arts review.
Dire Straits and its string of hits made Mark Knopfler a well-known figure, but going solo gave him freedom to present a wider range songs.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
The highlights of this year’s gathering will be productions of newly discovered or rediscovered works by both Tennessee Williams and Yukio Mishima.
With a powerful partnership, the possibilities for Hot Tuna, it seems, are endless.
William McGregor has crafted a remarkable debut feature, a notable addition to the burgeoning crop of indie folk horror offerings.
Nancy Dalberg’s string quartets are worth getting to know, Wynton Marsalis’s violin concerto receives an electrifying performance, and Osmo Vänskä and the Minnesota Orchestra continue to churn out a less than necessary Mahler cycle.
Michael Hofmann nicely captures our age of truthiness and alternate facts and multiple perspectives, the hollowness of everything from the news-cycle to pop-up restaurants, all of the distractions driven by money and advertising.
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