Featured
Alabama Snake is crazy, but it also provides the kind of off-kilter insights into humanity one finds in the best of Southern folklore
Read More
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read More
When Charley Pride did display anger, it concerned how the country music establishment treated older artists.
Read More
Community is what I miss most of all the pandemic’s deprivations—doing stuff with others.
Read More
Violinist James Ehnes and pianist Andrew Armstrong’s Beethoven violin sonatas feel and sound absolutely right; Quatuor Ébène’s comes up with one of this anniversary year’s few, true benchmark releases; Nikolai Lugansky’s traversal of three of Beethoven’s late piano sonatas is often admirable.
Read More
Trumpeter Doc Severinsen had the right combination of talent and showmanship to reach and stay in the spotlight, and he adjusted the pieces of his life to maintain his singular place.
Read More
Uri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.
Read More
This strange year became, for this opera lover, a chance to explore new—or even world-premiere—recordings of little-known repertory. When musical life returns to semi-normal, perhaps we can be treated to live performances of some of these amazing works.
Read More
We were driven indoors and told to stay there, so we turned to our screens for entertainment.
Read More
Ma Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.
Read More
Holiday Commentary: Making Room for the Stranger