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The author’s aim is to render William Blake’s complex vision understandable to novices. It is a lucid effort, though the book presents a disappointingly conventional overview of the artist’s achievement.
“Figures of Speech” is a kind of aesthetic/political injection: its messages are put across by pieces that seamlessly blend a number of genres, including sculpture, music, graphics, and film.
Americans is a winningly-programmed, strongly-realized effort.
Jaun Cirerol has been accused of idealizing desperation. He disagrees. “I am well-anchored,” he responds.
I consider composer Frederick Rzewski the most profound and persistent explorer of how to address injustice through the use of sophisticated compositional tools.
Summer of Soul is two hours of rapturous entertainment and pointed political commentary — neither of which has gone out of style 52 years later.
The Tribeca Film Festival wrapped last week — here’s a selection of the most promising documentaries on view.
To my ears, veteran guitarist John McLaughlin is both a jazz and a rock player, and more besides.
One reason Fred Waitzkin’s work, outside of Searching for Bobby Fischer, is not as well known as it might be is that it doesn’t respect time-honored boundaries between fiction and nonfiction.
Bo Burnham deserves kudos for calling himself out on his own bullshit. But that doesn’t absolve him of seriously confronting the problem of excessive self-consciousness, especially nowadays.
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