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Eri Hotta’s biography of Shinichi Suzuki is about optimism, gentleness, doggedness, belief in children, humanity, and the affirmative properties of art in the face of violence and ignorance.
The music comes out of an extended personal crisis; the compositions found here are a testament to a musician regaining his voice.
I put Joni Mitchell on a short list of the most remarkable pop music artists of the ’60s and early ’70s. Longevity of excellence isn’t the point here, just peak incandescence.
These are individual expressions of how it feels to live in a war zone, not scenes of valiant fighters intended to recruit more combatants.
Two recent film releases, both submitted by their countries for the Best International Feature Film Oscar, offer variations on no-man’s-land.
Presumably, as a policy specialist, Ann Bookman sought to turn ideals into practical reality. Conversely, here in Blood Lines, she unwinds reality to find emotional clarity.
Damn straight, English singer/songwriter Beth Orton was back in the room – after a six-year absence.
In addition to being a clever paranormal thriller, Something in the Dirt is a brilliant commentary on our burgeoning world of content creation.
It’s hard to convey what a benison these books have been to me, as I’ve read them in my narrow, monkish bed late into the night.
Arts Remembrance: Art and Technology Guru George Fifield
The new media advocate, curator, and artist mentor passed away at the age of 72.
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