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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
The domestic demolition in Kate Snodgrass’s script is served au flambé.
In Infinity Pool, people who are dead inside essentially play with their own corpses as shiny, new toys. The savagery of that idea is, simply, delicious.
The three films I selected to start my 2023 Sundance journey were very different from one another, but they shared one common theme: girlhood.
The smallish Friend Recital Hall was an ideal setting for pianist Laszlo Gardony to impose his engaging personality, as well as his musical versatility and power.
Under the baton of Andris Nelsons, a listless Boston Symphony Orchestra delivered flat renditions of works by Shostakovich and Brahms.
Engagingly written by a limpid stylist, The Call of the Tribe marshals a corps of sparkling intellectuals who have in common first-hand experience of dictatorship, a commitment to individual freedom, a belief in reasonably regulated free-market economies, and a rejection of the political zealotry of religion or the doctrinaire left and right.
The late Billy Conway didn’t so much work to make a song sound great as, through his adroit drumming, illuminate the qualities in the tunes that made them great.
Music Perspective: The Context of Wadada Leo Smith’s 12 String Quartets
Wadada Leo Smith is among the most prolific composers of string quartets in the modern era, the only Black composer to have written so many, and one of the most adventurous writers of quartets in terms of his notation system and the distinctiveness of his musical language.
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