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On Remedy, Gozu sharpens and refines the strengths in its earlier recordings as it infuses into these new songs a finesse that doesn’t undercut the power of the music’s brute force.
Jonathan Berger’s remarkable chamber opera about the Mỹ Lai Massacre is a powerful artistic and anti-war statement.
Among its many virtues, this archival live release from Stephen Stills reminds us of an era when great music was human-generated — written and performed with love.
There is little doubt that Joyland‘s subject matter is what drew international attention.
The documentary tries to tell the story of the real Anna Nicole Smith, but it falls short.
It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
The dehumanization in The Little Mermaid is not just a matter of the absence of craft; at heart, this is a cynical investment that can’t transcend its craven essence.
Now an octogenarian, Ian Hunter remains a gifted songwriter, a distinctive vocalist, and a man who truly has a rock and roll heart.
The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.
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