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Optimistic, a canny survivor, relentless, genderfluid—poet May Swenson described herself as “I am one of those to whom miracles happen.”
The biographer puts far too much emphasis on Sam Shepard’s louche life, neglecting to provide much analysis about the value of his stage work, particularly on whether it will endure.
A preview of a few of the obscure gems and curios in this huzzah to Columbia Pictures.
While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
The Boston Jewish Film Festival supplies some glimmers of optimism.
The exhibit highlights the interplay between Grace Hartigan and the circle of modern poets who became her friends, supporters, and in some cases, patrons.
If any out-there band deserves the opportunity to be in-here, Club d’Elf is it.
Mario Diacono’s works were a guide – a guide to see and think deeply about words and images.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Arts Remembrance: Donna Jean Godchaux — She Brought Soul and Grace to the Grateful Dead
Donna Jean Godchaux changed the Grateful Dead – adding a Southern accent and feminine energy to this rough-hewn psychedelic troupe – and the Grateful Dead changed Donna Jean Godchaux – elevating her from session singer footnote to jam-scene royalty.
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