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There are powerful moments in “The Jump Shot,” particularly those that explore the psychological impact of COVID on our minds and lives.
The brutal, sometimes sickening stories collected in “#SayHerName” are as much about the love, strength, and determination of the women who’ve lost female family members to police violence as they are about the circumstances of the victims themselves.
We’re not saying get rid of “Madama Butterfly” We’re saying do a better Butterfly.
For a semi-Shavian like myself, the Shaw Festival once again proved that it was the place to be.
There was no doubt guitarist Chuck Garvey was already up to the task, sealing the grit and heart necessary to return moe. to jam-bound heights.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
September releases from Kris Davis and James Brandon Lewis are sure to be among the best jazz albums of the year.
Edvard Munch was very far from a one-hit wonder. His career was a long narrative of restless creativity.
Cinephiles revere a group of movies, known as the Ranown cycle, that starred Randolph Scott and were cannily directed by Budd Boetticher.
Dead Men Cast No Shadows is an enormously entertaining novel about responses to perfidy in high places by one of the most prominent writers in the Spanish-speaking world.
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